
audiobook
by Maxwell Anderson, Harold (George Harold) Hickerson, Jim Tully
GODS OF THE LIGHTNING OUTSIDE LOOKING IN
THE CAST
ACT I
ACT II - SCENE I
ACT II - SCENE II
ACT II - SCENE III
ACT III
OUTSIDE LOOKING IN
THE CAST
ACT I
A tense, atmospheric drama opens in the dimly lit cafeteria of a labor union hall, where the clang of dishes and the hum of whispered conspiracies set the stage. Suvorin, a hulking figure with a menacing presence, oversees a nervous exchange with Heine, a desperate pawn caught in a high‑stakes racket that could force him out of the city forever. Their terse dialogue hints at missing money, looming danger, and a network of shadows that stretches beyond the restaurant’s cracked windows.
Into this uneasy tableau steps Rosalie, a striking young woman whose fragile appearance belies the urgency of her arrival, followed quickly by the volatile Mac—gun in hand and ready to take charge. As Ward shuffles in with news of recent killings and a possible raid, the characters grapple with fear, loyalty, and the thin line between survival and betrayal. The first act crackles with the raw energy of a city on the brink, inviting listeners to linger over each sharp exchange and wonder how the tangled lives of these strangers will collide.
Language
en
Duration
~4 hours (231K characters)
Release date
2026-01-29
Rights
Public domain in the USA.
Subjects

1888–1959
A major American playwright of the first half of the 20th century, he brought poetry, politics, and moral conflict to the Broadway stage. He is especially remembered for ambitious verse dramas and for plays that challenged audiences to think about power, war, and conscience.
View all books1893–1986
Best remembered as a co-writer of the Broadway drama Gods of the Lightning, he was part of the politically charged theater world of the late 1920s. His known work connects him to a stage play inspired by the Sacco and Vanzetti case, giving his writing a strong sense of its moment in American public life.
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1886–1947
Best known for turning a hard, restless life into vivid prose, this American writer brought the worlds of hoboes, boxers, and outsiders onto the page with unusual grit and sympathy. His books found a wide audience in the 1920s and 1930s, even though his path to literary success was anything but ordinary.
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