
Transcribed from the 1916 Martin Secker edition by David Price, email ccx074@coventry.ac.uk
GLASSES - CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
A weary painter leaves the cramped studio of a London summer for the breezy cliffs of Folkestone, hoping the salty air will clear his mind and refresh his palette. The seaside town is alive with bustling promenades, stripped‑down lodgings and a crowd of strangers who stare at each other like beads on a string. Along the iron‑railled promenade the narrator drifts past old‑folk in Bath chairs, the distant French coast, and a lively rotunda where music drifts over a mix of tourists and locals. The vivid scene is peppered with humor and observation, setting the tone for a story that treats everyday encounters as a gallery of human detail.
Among the colorful figures is Mrs. Meldrum, a strikingly near‑sighted widow whose oversized spectacles magnify both the world and her own flamboyance. Her bold gestures, bright red face and the way she commands attention draw the narrator’s eye, prompting him to wonder how much we truly see when we look through lenses—both literal and metaphorical. As he follows her through the town, his curiosity about art, perception and the hidden quirks of the people around him deepens, promising a thoughtful, gently comic exploration of identity and observation.
Language
en
Duration
~1 hours (103K characters)
Publisher of text edition
Project Gutenberg
Release date
1998-02-01
Rights
Public domain in the USA.

1843–1916
Best known for novels and ghost stories that turn social scenes into psychological drama, this master stylist explored the tensions between Americans and Europeans, innocence and experience. His work helped bridge 19th-century realism and literary modernism.
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