
Portrait of the author
FROM THE EASY CHAIR - BY - GEORGE WILLIAM CURTIS
EDWARD EVERETT IN 1862.
AT THE OPERA IN 1864.
EMERSON LECTURING.
SHOPS AND SHOPPING.
MRS. GRUNDY AND THE COSMOPOLITAN.
DICKENS READING. [1867.]
PHILLIS.
THOREAU AND MY LADY CAVALIERE.
A lively gathering unfolds in a richly appointed hall, where polished settees and bright ribbons frame an audience of well‑dressed men and women awaiting an evening’s oration. The scene captures the paradox of a nation at war yet momentarily insulated by genteel conversation, shimmering silk, and the quiet anticipation of a speaker whose reputation precedes him. The narrative’s eye, the “Easy Chair,” observes both the elegance of the crowd and the distant echo of distant battle drums, grounding the social tableau in its turbulent era.
When the honored orator finally steps onto the stage, the room erupts in restrained applause, and a palpable tension gives way to admiration for his scholarly poise. Listeners are drawn into the speaker’s poised demeanor, his measured gestures, and the subtle interplay of intellect and performance that hints at the cultural ambitions of a young America. The opening promises a thoughtful exploration of public discourse, reputation, and the fragile balance between civility and the looming conflict beyond the theater’s walls.
Language
en
Duration
~3 hours (222K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Eric Eldred, Brendan Lane and the Online Distributed Proofreading Team.
Release date
Feb 1, 2005
Rights
Public domain in the USA.
Subjects

1824–1892
A graceful essayist and magnetic public speaker, he brought literary style to public life and turned reform into something readers could feel. Best remembered as a writer, editor, and champion of civic causes, he stood out in 19th-century America for linking culture with conscience.
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by George William Curtis

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by George William Curtis

by George William Curtis

by George William Curtis

by George William Curtis