Evan Harrington — Volume 3

audiobook

Evan Harrington — Volume 3

by George Meredith

EN·~2 hours·7 chapters

Chapters

7 total
1

BOOK 3. - XIV. THE COUNTESS DESCRIBES THE FIELD OF ACTION XV. A CAPTURE XVI. LEADS TO A SMALL SKIRMISH BETWEEN ROSE AND EVAN XVII. IN WHICH EVAN WRITES HIMSELF TAILOR XVIII. IN WHICH EVAN CALLS HIMSELF GENTLEMAN - CHAPTER XIV - THE COUNTESS DESCRIBES THE FIELD OF ACTION

5:31
2

'MY DEAREST HARRIET,

33:12
3

CHAPTER XV - A CAPTURE

15:08
4

CHAPTER XVI - LEADS TO A SMALL SKIRMISH BETWEEN ROSE AND EVAN

22:03
5

CHAPTER XVII - IN WHICH EVAN WRITES HIMSELF TAILOR

13:02
6

CHAPTER XVIII - IN WHICH EVAN CALLS HIMSELF GENTLEMAN

34:33
7

ETEXT EDITOR'S BOOKMARKS:

2:13

Description

The story opens with the formidable Countess de Saldar, a woman of restless ambition and a taste for grand adventure. Driven by a mix of heroic pride and a love of conflict, she thrusts herself into the English countryside, intent on staking a claim at the modest Beckley Court. Her confidence, bolstered by a sense of destiny, makes her a striking figure among the locals, who receive her with a mix of awe and curiosity.

At the same time, the young and impulsive Evan Harrington finds himself caught in the Countess’s orbit. Their encounter sparks a tense, almost theatrical clash of wills, as Evan attempts to define his own identity—alternately a tailor, a gentleman, and something in between. Through letters and brief skirmishes, the narrative explores the delicate dance of social ambition, youthful folly, and the thin line between admiration and rivalry, all set against a richly drawn Victorian backdrop.

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Details

Language

en

Duration

~2 hours (120K characters)

Publisher of text edition

Project Gutenberg

Release date

2003-09-01

Rights

Public domain in the USA.

About the author

George Meredith

George Meredith

1828–1909

A sharp, witty Victorian voice, this English novelist and poet is best known for brilliant dialogue, psychological insight, and a style that rewards close reading. His work helped push the English novel toward greater complexity, with books like The Egoist and poems such as Modern Love still drawing attention today.

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