
Transcribed from the 1887 Macmillan and Co. edition of “The Madonna of the Future et al.” by David Price, email ccx074@coventry.ac.uk. Proofed by Vanessa M. Mosher, Faith Matievich and Jonesey.
In a warm summer evening at the bustling Kursaal in Homburg, the air hums with the strains of a full orchestra and the clatter of roulette tables. A narrator and a companion search for a place to sit, only to be confronted by a strikingly odd young man whose unfamiliar familiarity sparks a quiet obsession. The scene is painted with vivid detail—the glow of artificial light through the trees, the rhythmic music, and the nervous habit of a stranger fumbling with gold in his pocket.
As the night unfolds, the narrator’s curiosity deepens, especially when a pretty, gray‑eyed lady begins to linger near the mysterious youth, hinting at subtle social games beneath the casino’s glitter. The story captures the social choreography of a resort society, the tension between observation and participation, and the lingering question of who this enigmatic figure truly is. Listeners are invited to linger in the atmosphere, feeling the anticipation of a chance encounter that promises to reveal hidden connections.
Language
en
Duration
~1 hours (102K characters)
Publisher of text edition
Project Gutenberg
Release date
2001-03-01
Rights
Public domain in the USA.

1843–1916
Best known for novels and ghost stories that turn social scenes into psychological drama, this master stylist explored the tensions between Americans and Europeans, innocence and experience. His work helped bridge 19th-century realism and literary modernism.
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