
TO ITALY THE BELOVED AND BEAUTIFUL, INSTRUCTRESS OF OUR PAST, DELIGHT OF OUR PRESENT, COMRADE OF OUR FUTURE:— THE HEART OF AN ENGLISHWOMAN OFFERS THIS BOOK. - LIST OF ILLUSTRATIONS - ELEANOR - THE VILLA - LUCY FOSTER - THE BEAUTIFYING OF LUCY - THE LOGGIA - FATHER BENECKE - PART I.
Produced by Jonathan Ingram, William Flis, and Distributed Proofreaders
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
A bright, late‑summer afternoon finds an English household perched on the outskirts of Rome, its drawing‑room buzzing with nervous chatter as the arrival of a young, inexperienced guest draws near. Miss Foster, fresh from the English countryside, is set to step into a world of Italian villas and aristocratic expectations, a prospect that both excites and unnerves her relatives. The family’s matriarch, Aunt Pattie, tries to smooth the inevitable friction, but the very act of preparation seems to stir a deeper unease.
At the centre of the tension stands Edward Manisty, a striking man whose reputation for brilliance is matched only by his temperamental mood swings. His imposing presence—large, dark‑haired and oddly graceful—draws remark after remark from friends, artists, and foes alike, casting a long shadow over the household’s plans. As he paces, muttering about “catastrophes” and the logistics of a young lady’s stay, the air thickens with the promise of both comic missteps and sincere revelations.
Within these first pages, the stage is set for a delicate dance of etiquette, affection, and the clash of cultures, inviting listeners to linger over witty dialogue and the subtle pull of unwritten societal rules. The story promises a gentle exploration of how a single arrival can ripple through a close‑knit family, revealing hidden desires and the quiet strength of those who must adapt.
Language
en
Duration
~14 hours (818K characters)
Publisher of text edition
Project Gutenberg
Release date
2005-10-01
Rights
Public domain in the USA.

1851–1920
A bestselling Victorian novelist and social reformer, she became famous for fiction that wrestled with faith, doubt, and the moral questions of modern life. Her novels were serious, popular, and deeply engaged with the social issues of her day.
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