Die Phantasie in der Malerei

In this thoughtful essay the author draws on nearly fifty years of painting practice to explore how imagination and perception shape visual art. He opens by questioning the popular claim that naturalism is dead, insisting that every lasting work is rooted in the world we see and the inner nature of the artist. The discussion moves between the “gestalt” of imagination—how a painter projects a mental image onto canvas—and the technical means that make such visions tangible.

Set against the backdrop of a Europe at war, the text reflects on the resilience of artistic inquiry when “the muses remain silent.” Readers are invited to consider whether true creativity lies in faithful observation, inventive invention, or a blend of both, and how a painter’s sensory experience becomes the language of his work. The essay offers a clear, reflective look at the enduring dialogue between nature, mind, and brushstroke, making it a compelling listen for anyone curious about the philosophy behind painting.