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Anmerkungen zur Transkription
Die naturwissenschaftlichen Grundlagen der Poesie.
Vorwort.
Erstes Capitel. Die versöhnende Tendenz des Realismus.
Zweites Capitel. Willensfreiheit.
Drittes Capitel. Unsterblichkeit.
Viertes Capitel. Liebe.
Fünftes Capitel. Das realistische Ideal.
Sechstes Capitel. Darwin in der Poesie.
Siebentes Capitel. Eine Schlussbetrachtung.
In this thoughtful treatise the author argues that poetry need not retreat to lofty metaphysics but can spring from the same empirical rigor that drives modern science. By defining a “realistic” aesthetic, he proposes a method where poets engage with psychological insight, careful observation, and the latest discoveries in natural philosophy, forging verses that reflect genuine experience rather than romantic illusion.
The opening chapters map the heated debates swirling through late‑nineteenth‑century literary circles, positioning realism as a unifying force rather than a destructive crusade. Through clear examples and careful analysis, the work invites readers to reconsider the relationship between art and science, suggesting that a disciplined, observation‑based approach can deepen emotional resonance without sacrificing imagination.
Full title
Die naturwissenschaftlichen Grundlagen der Poesie. Prolegomena einer realistischen Aesthetik Prolegomena einer realistischen Aesthetik
Language
de
Duration
~2 hours (147K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Peter Becker and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2016-04-22
Rights
Public domain in the USA.
Subjects

1861–1939
A lively popularizer of science, he helped bring Darwin, evolution, and the wonder of the natural world to a broad German readership. His books and essays also made him an early voice for nature conservation.
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