
By Thomas Hardy
PREFATORY NOTE
I. THE EVENTS OF THIRTY YEARS - 1. DECEMBER AND JANUARY, 1835-36
II. THE EVENTS OF A FORTNIGHT - 1. THE NINTH OF JULY
III. THE EVENTS OF EIGHT DAYS - 1. FROM THE TWENTY-SECOND TO THE TWENTY-SEVENTH OF JULY
IV. THE EVENTS OF ONE DAY - 1. AUGUST THE FOURTH. TILL FOUR O’CLOCK
V. THE EVENTS OF ONE DAY - 1. AUGUST THE EIGHTH. MORNING AND AFTERNOON
VI. THE EVENTS OF TWELVE HOURS - 1. AUGUST THE NINTH. ONE TO TWO O’CLOCK A.M.
VII. THE EVENTS OF EIGHTEEN DAYS - 1. AUGUST THE SEVENTEENTH
VIII. THE EVENTS OF EIGHTEEN DAYS - 1. FROM THE THIRD TO THE NINETEENTH OF SEPTEMBER
In the winter of 1835 a confident young architect named Ambrose Graye leaves his provincial town for a Christmas stay in London. There he encounters the refined household of a retired naval captain and is instantly struck by the captain’s daughter, Cytherea, whose poise and beauty seem almost otherworldly. Their brief meeting sets in motion a series of choices that will draw Ambrose into a tangled web of affection, ambition, and hidden family histories.
What begins as a charming courtship soon reveals the rigid expectations of their social circles and the shadows of past grievances that linger in the Graye and Springrove families. As Cytherea’s own desires clash with duty, Ambrose must confront whether his idealism can survive the practicalities of inheritance, reputation, and the lingering influence of an older generation. The novel unfolds with a keen eye for rural detail and moral complexity, inviting listeners to ponder love’s limits within a world bound by tradition.
Language
en
Duration
~13 hours (792K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Les Bowler, and David Widger
Release date
2004-10-02
Rights
Public domain in the USA.

1840–1928
Best known for vivid novels set in the fictional Wessex, this English writer captured the beauty, hardship, and quiet drama of rural life. He became famous for books like Far from the Madding Crowd, Tess of the d'Urbervilles, and Jude the Obscure, while always thinking of himself as a poet as much as a novelist.
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by Thomas Hardy

by Thomas Hardy

by Thomas Hardy

by Thomas Hardy

by Thomas Hardy

by Thomas Hardy