
INTRODUCTION
CONFESSIONS OF A YOUNG MAN - CHAPTER I
Scene: A great family coach, drawn by two powerful country horses, lumbers along a narrow Irish road. The ever recurrent signs—long ranges of blue mountains, the streak of bog, the rotting cabin, the flock of plover rising from the desolate water. Inside the coach there are two children. They are smart, with new jackets and neckties; their faces are pale with sleep, and the rolling of the coach makes them feel a little sick. It is seven o'clock in the morning. Opposite the children are their parents, and they are talking of a novel the world is reading. Did Lady Audley murder her husband? Lady Audley! What a beautiful name; and she, who is a slender, pale, fairy-like woman, killed her husband. Such thoughts flash through the boy's mind; his imagination is stirred and quickened, and he begs for an explanation. The coach lumbers along, it arrives at its destination, and Lady Audley is forgotten in the delight of tearing down fruit trees and killing a cat.
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII - THE SYNTHESIS OF THE NOUVELLE ATHÈNES
CHAPTER VIII - EXTRACT FROM A LETTER
There is an improved edition of this title, eBook #12278
Language
en
Duration
~5 hours (338K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-03-01
Rights
Public domain in the USA.

1852–1933
An Irish writer who helped bring French-style realism and naturalism into English-language fiction, he was also a sharp-eyed critic and memoirist with one foot in Paris and the other in Ireland. Best known now for novels like Esther Waters, he spent his career testing new ways to write about art, society, and inner life.
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by George Moore

by George Moore

by George Moore

by George Moore

by George Moore

by George Moore

by George Moore

by George Moore