
THE COMPLETE PLAYS OF JOHN GALSWORTHY - FIRST SERIES: - THE SILVER BOX JOY STRIFE - THE SILVER BOX - A COMEDY IN THREE ACTS - PERSONS OF THE PLAY
ACT I. SCENE I. Rockingham Gate. John Barthwick's dining-room. SCENE II. The same. SCENE III. The same. - ACT II. SCENE I. The Jones's lodgings, Merthyr Street. SCENE II. John Barthwick's dining-room. - ACT III. A London police court. - ACT I - SCENE I
SCENE III
JOY - A PLAY ON THE LETTER "I" - IN THREE ACTS - PERSONS OF THE PLAY
ACT II
ACT III
STRIFE - A DRAMA IN THREE ACTS - PERSONS OF THE PLAY
ACT I. The dining-room of the Manager's house. - ACT II, SCENE I. The kitchen of the Roberts's cottage near the works. SCENE II. A space outside the works. - ACT III. The drawing-room of the Manager's house.
ACT I
ACT II - SCENE I
In a sleek, modern dining room lit by electric light, the Barthwick family—wealthy Liberal MP John, his wife, and their carefree son Jack—host an ill‑timed Easter gathering. When Jack bursts in late at night, clutching a lady’s silk reticule and a silver cigarette‑box, his drunken banter sets off a chain of absurd misunderstandings. The scene quickly fills with the clatter of whisky, misplaced pocket‑money, and the arrival of an unexpected guest, the down‑on‑his‑luck Jones, whose conservative stance clashes with Jack’s self‑styled liberal bravado.
As the night unfolds, the witty repartee between the aristocratic family and the street‑wise intruder exposes the pretensions of high society and the absurdities of political posturing. Galsworthy’s comedy balances sharp social satire with farcical mishaps, from a missing shilling to a mischievous cat‑fur incident, all revolving around the enigmatic silver box. Listeners are drawn into a lively portrait of class and ideology that feels both of its time and timeless, promising laughter and insight.
Language
en
Duration
~28 hours (1661K characters)
Publisher of text edition
Project Gutenberg
Release date
Sep 26, 2004
Rights
Public domain in the USA.
Subjects

1867–1933
Best known for The Forsyte Saga, this sharp-eyed English novelist and playwright wrote about family, money, class, and conscience with unusual sympathy. His calm, elegant storytelling earned him the Nobel Prize in Literature in 1932.
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