
CHE COSA È L’ARTE?
TOLSTOI E MANZONI NELL’IDEA MORALE DELL’ARTE
Introduzione.
Capitolo Primo. Il problema dell’arte.
Capitolo II. La bellezza.
Capitolo III. Distinzione tra l’arte e la bellezza.
Capitolo IV. La funzione dell’arte.
Capitolo V. L’arte vera.
Capitolo VI. L’arte falsa.
Capitolo VII. L’arte degli eletti.
In this thoughtful essay, the author turns a critical eye toward the very essence of art, asking what it truly means to create and experience a work of beauty. He argues that genuine art must spring from a sincere feeling within the artist, a feeling that is then transferred to the audience, rather than being a hollow display of technique or spectacle.
The discussion moves quickly to a critique of contemporary creators who paint, sculpt, or write without love or hatred for their subjects, reducing their output to mere tricks that provoke astonishment. By contrasting the crowd’s craving for sensational thrills with the more discerning few who seek true beauty, the author reveals how modern society often confuses shock with artistic value. He also touches on the historic tension between aesthetic appreciation and moral restraint, hinting at how past movements have grappled with the role of beauty—especially the beauty embodied in the human form—in shaping art’s purpose.
Language
it
Duration
~6 hours (354K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Italy: Fratelli Treves Editori, 1904.
Credits
Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images made available by The Internet Archive)
Release date
2022-03-03
Rights
Public domain in the USA.

1828–1910
Best known for War and Peace and Anna Karenina, this towering Russian novelist wrote with unusual clarity about family life, history, faith, and the moral struggles of ordinary people. His books are grand in scale but deeply human, which is why they still feel alive more than a century later.
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