Carnival

audiobook

Carnival

by Compton MacKenzie

EN·~12 hours·49 chapters

Chapters

49 total

MARTIN SECKER

1:29

Chapter I: The Birth of Columbine

13:00

Chapter II: Fairies at the Christening

18:37

Chapter III: Dawn Shadows

21:42

Chapter IV: The Ancient Mischief

17:54

Chapter V: Pretty Apples in Eden

18:21

Chapter VI: Shepherd's Calendar

19:47

Chapter VII: Ambition Wakes

17:52

Chapter VIII: Ambition Looks in the Glass

33:46

Chapter IX: Life, Art and Love

35:02

Description

On an October day that turns London’s rooftops to silver, the quiet streets of Islington whisper with the rustle of turning leaves and the distant clang of a muffin‑man's bell. In the midst of this autumn hush, Mrs. Raeburn brings her daughter, named Columbine, into a world that feels both intimate and oddly grand. The birth is framed by ordinary domestic concerns—curtains, a missing brass knob—yet the prose lifts these details into a tender meditation on life’s first fragile moments.

The novel follows Columbine as she moves from the soot‑streaked lanes of her childhood into the glittering spectacle of the city’s theatres, fairs, and artistic circles. Through vivid scenes of fairs, ballet, and the bustling marketplaces of Drury Lane, we watch her ambitions stir and her heart learn the rhythms of love and loss. Mackenzie’s lyrical narration weaves together the everyday and the extraordinary, inviting listeners to linger on each fleeting, beautiful scene.

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Details

Language

en

Duration

~12 hours (704K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available by The Internet Archive.)

Release date

2010-06-28

Rights

Public domain in the USA.

About the author

Compton MacKenzie

Compton MacKenzie

1883–1972

Best known for lively, witty novels like Sinister Street and Whisky Galore, he wrote across fiction, biography, history, memoir, and criticism with remarkable range. His work often mixed sharp observation, humor, and a strong sense of Scottish identity.

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