Caliban by the Yellow Sands: A Community Masque of the Art of the Theatre

audiobook

Caliban by the Yellow Sands: A Community Masque of the Art of the Theatre

by Percy MacKaye

EN·~3 hours·13 chapters

Chapters

13 total
1

CALIBANBY THE YELLOW SANDS

2:35
2

PREFACE

21:37
3

MASQUE STRUCTURE

3:58
4

PERSONS AND PRESENCES

1:40
5

PROLOGUE

19:43
6

FIRST INTERLUDE

1:12
7

ACT I

30:41
8

SECOND INTERLUDE

1:14
9

ACT II

25:40
10

THIRD INTERLUDE

0:50

Description

This expansive masque invites a whole community to step onto a sun‑drenched stage and reenact the mythic beginnings of Prospero’s island, drawing its dramatic spark from Shakespeare’s The Tempest. The opening scenes bring Caliban, the wild spirit of the island, into a dialogue that reflects the turbulent world of 1916, while also offering a hopeful vision of artistic cooperation. Audiences and amateur performers alike become part of the ritual, sharing in choral passages and simple tableau that echo the original festival spirit.

Designed with striking visual guidance from celebrated designers, the production balances bold set sketches, illuminated backdrops, and a carefully plotted auditorium layout that blurs the line between spectators and actors. The masque’s language celebrates the liberating power of theatre to free imagination from the restraints of war, prejudice, and selfishness. Listeners will experience the lyrical promise that “it was mine art,” a reminder that creativity can bind communities together even in uncertain times.

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Details

Language

en

Duration

~3 hours (202K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Paul Marshall, Mary Glenn Krause, MFR and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2018-10-11

Rights

Public domain in the USA.

About the author

Percy MacKaye

Percy MacKaye

1875–1956

Raised in a theatrical family and drawn to big public art, this American poet and playwright helped shape pageants and civic drama in the United States. His work ranged from lyrical verse to ambitious stage pieces that brought history, folklore, and community performance together.

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