Brasses

audiobook

Brasses

by J. S. M. (John Sebastian Marlow) Ward

EN·~3 hours·21 chapters

Chapters

21 total

The Cambridge Manuals of Science and Literature

0:38

PREFACE

2:37

LIST OF ILLUSTRATIONS

0:55

CHAPTER I EDWARD I AND II. 1272-1327

8:19

CHAPTER II EDWARD III AND RICHARD II. 1328-99

6:23

CHAPTER III LANCASTRIAN PERIOD. 1400-1453

7:51

CHAPTER IV THE YORKIST PERIOD. 1453-1485

6:26

CHAPTER V MEDIEVAL CLERGY

14:38

CHAPTER VI THE MONASTERIES

9:31

CHAPTER VII THE EARLY TUDORS. 1485-1547

7:01

Description

A growing fascination with England’s historic brass monuments finds a clear and friendly guide in this compact volume. Written for anyone curious enough to step beyond statues and stone, it explains how to recognize the main classes of memorial brasses and spot the essential details that set each piece apart. Drawing on the author’s own collection of more than fifteen hundred rubbings, the text blends personal observation with careful scholarship, offering a practical doorway into a field once limited to specialists.

The book walks through England’s brasses in chronological order, from the early Plantagenet era through the Tudor and Caroline periods, before branching into special types, foreign examples, and the architectural settings that frame them. Richly illustrated with the author’s own images, each chapter is organized by historical reign rather than arbitrary categories, making the material intuitive for the everyday listener. A concise bibliography and index round out the work, inviting further exploration after the first listen.

Details

Language

en

Duration

~3 hours (189K characters)

Release date

May 22, 2026

Rights

Public domain in the USA.

Subjects

About the author

J. S. M. (John Sebastian Marlow) Ward

J. S. M. (John Sebastian Marlow) Ward

1885–1949

Known for writing widely on Freemasonry and esoteric subjects, this English author also led an independent Christian community and founded one of Britain’s earliest folk parks. His life moved through scholarship, religion, museum work, and spiritual inquiry in ways that still make him a distinctive figure.

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