
BEING
BELCARO
ESSAYS ON SUNDRY ÆSTHETICAL QUESTIONS,
BY - VERNON LEE, - AUTHOR OF "STUDIES OF THE EIGHTEENTH CENTURY IN ITALY."
THE BOOK AND ITS TITLE. - TO ONE OF MY READERS—THE FIRST AND EARLIEST.
THE CHILD IN THE VATICAN.
ORPHEUS AND EURYDICE. - THE LESSON OF A BAS-RELIEF.
FAUSTUS AND HELENA. - NOTES ON THE SUPERNATURAL IN ART.
CHAPELMASTER KREISLER. - A STUDY OF MUSICAL ROMANTICISTS.
CHERUBINO. - A PSYCHOLOGICAL ART FANCY.
The collection opens with a personal dedication that frames the essays as a dialogue between the writer and a single reader, inviting listeners into an intimate conversation about art’s purpose. From the opening piece, the author sets out to explore aesthetics not as a chronological history but as a living relationship between creator, work, and audience, using vivid travel memories of an Italian villa to illustrate how a single scene can echo through artistic reflection. Early chapters turn the attention to mythic and historic subjects—such as the child in the Vatican and the tragic love of Orpheus and Eurydice—examining how ancient narratives continue to shape modern perception.
Subsequent essays wander through the corridors of varied artistic concerns: the moral responsibilities of poets, the lingering influence of Ruskin, and the quiet power of regional Italian landscapes. Throughout, the tone remains conversational, drawing listeners into the author’s own process of untangling ideas about beauty, morality, and the artist’s role in society. The result is a thoughtful, episodic journey that feels like a series of sketches rather than a formal treatise, inviting anyone with a love of art to contemplate its many subtle connections.
Language
en
Duration
~8 hours (483K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Delphine Lettau and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net
Release date
2010-05-12
Rights
Public domain in the USA.
Subjects

1856–1935
Best known for eerie supernatural tales and sharp writing on art, this French-born British author lived much of her life in Italy and brought a cosmopolitan eye to everything she wrote. Her work moves easily between ghost stories, travel, criticism, and big questions about beauty and feeling.
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by Vernon Lee

by Vernon Lee

by Vernon Lee

by Vernon Lee