
MRS. ALEC-TWEEDIE
LIST OF ILLUSTRATIONS
CHAPTER I THE GLAMOUR OF THE STAGE Girlish Dreams of Success—Golden Glitter—Overcrowding—Few successful—Weedon Grossmith—Beerbohm Tree—How Mrs. Tree made Thousands for the War Fund—The Stage Door reached—Glamour fades—The Divorce Court and the Theatre—Childish Enthusiasm—Old Scotch Body’s Horror—Love Letters—Temptations—Emotions—How Women began to Act under Charles I.—Influence of the Theatre for Good or Ill.
CHAPTER II CRADLED IN THE THEATRE Three Great Aristocracies—Born on the Stage—Inherited Talent—Interview with Mrs. Kendal—Her Opinions and Warning to Youthful Aspirants—Usual Salary—Starving in the Attempt to Live—No Dress Rehearsal—Overdressing—A Peep at Harley Street—Voice and Expression—American Friends—Mrs. Kendal’s Marriage—Forbes Robertson’s Romance—Why he deserted Art for the Stage—Fine Elocutionist—Bad Enunciation and Noisy Music—Ellen Terry—Gillette—Expressionless Faces—Long Runs—Charles Warner—Abuse of Success.
CHAPTER III THEATRICAL FOLK Miss Winifred Emery—Amusing Criticism—An Actress’s Home Life—Cyril Maude’s first Theatrical Venture—First Performance—A Luncheon Party—A Bride as Leading Lady—No Games, no Holidays—A Party at the Haymarket—Miss Ellaline Terriss and her First Appearance—Seymour Hicks—Ben Webster and Montagu Williams—The Sothern Family—Edward Sothern as a Fisherman—A Terrible Moment—Almost a Panic—Asleep as Dundreary—Frohman at Daly’s Theatre—English and American Alliance—Mummers.
CHAPTER IV PLAYS AND PLAYWRIGHTS Interview with Ibsen—His Appearance—His Home—Plays Without Plots—His Writing-table—His Fetiches—Old at Seventy—A Real Tragedy and Comedy—Ibsen’s First Book—Winter in Norway—An Epilogue—Arthur Wing Pinero—Educated for the Law—As Caricaturist—An Entertaining Luncheon—How Pinero writes his Plays—A Hard Worker—First Night of Letty.
CHAPTER VI DESIGNING THE DRESSES Sarah Bernhardt’s Dresses and Wigs—A Great Musician’s Hair—Expenses of Mounting—Percy Anderson—Ulysses—The Eternal City—A Dress Parade—Armour—Over-elaboration—An Understudy—Miss Fay Davis—A London Fog—The Difficulties of an Engagement.
CHAPTER IX AN HISTORICAL FIRST NIGHT An Interesting Dinner—Peace in the Transvaal—Beerbohm Tree as a Seer—How he cajoled Ellen Terry and Mrs. Kendal to Act—First-nighters on Camp-stools—Different Styles of Mrs. Kendal and Miss Terry—The Fun of the Thing—Bows of the Dead—Falstaff’s Discomfort—Amusing Incidents—Nervousness behind the Curtain—An Author’s Feelings.
CHAPTER X OPERA COMIC How W. S. Gilbert loves a Joke—A Brilliant Companion—Operas Reproduced without an Altered Line—Many Professions—A Lovely Home—Sir Arthur Sullivan’s Gift—A Rehearsal of Pinafore—Breaking up Crowds—Punctuality—Soldier or no Soldier—Iolanthe—Gilbert as an Actor—Gilbert as Audience—The Japanese Anthem—Amusement.
CHAPTER XI THE FIRST PANTOMIME REHEARSAL Origin of Pantomime—Drury Lane in Darkness—One Thousand Persons—Rehearsing the Chorus—The Ballet—Dressing-rooms—Children on the Stage—Size of “The Lane”—A Trap-door—The Property-room—Made on the Premises—Wardrobe-woman—Dan Leno at Rehearsal—Herbert Campbell—A Fortnight Later—A Chat with the Principal Girl—Miss Madge Lessing.
A lively chronicle of the theatrical world at the turn of the twentieth century, this memoir‑style narrative invites listeners behind the curtain to discover how ambition, glamour and hard‑won experience shaped the stage. From the bright‑eyed hopes of youthful aspirants to the gritty reality of overcrowded rehearsal rooms, the author paints a picture of an industry where success is as fleeting as a spotlight, and where personal sacrifice often fuels public triumph.
Interwoven with vivid sketches, the book offers intimate portraits of celebrated actors, playwrights and designers—interviews with figures such as Edith Kendal, Ellen Terry and the legendary Sarah Bernhardt sit alongside anecdotes about costume creation, lighting innovations and the business of copyright. Readers also glimpse the wartime stage, the rise of operatic comedy, and the backstage rituals that give productions their unique flavor.
Delivered in an engaging, conversational tone, the account feels like a guided tour through historic theatres, complete with witty observations and heartfelt reflections that make the golden age of drama come alive for modern ears.
Language
en
Duration
~8 hours (510K characters)
Publisher of text edition
Project Gutenberg
Release date
2017-09-06
Rights
Public domain in the USA.
Subjects

1862–1940
An energetic late-Victorian and Edwardian traveler, writer, and artist, she turned journeys through Siberia, Mexico, and beyond into lively books for a wide audience. Her life mixed adventure, society reporting, and a strong eye for the unusual details that made distant places feel real.
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