
Transcriber's Note: Obvious printer errors have been corrected without note. Skipped page numbers are due to blank pages and repeated half-titles in the original.
The work opens with a striking claim: Wagner’s death left an operatic world both haunted and stagnant, yet his influence has proved inescapable. The author argues that the great German master’s ideas have seeped into every corner of modern music, tinting everything from grand opera to intimate chamber pieces. By weighing the paradox of Wagner’s overwhelming presence against the yearning for fresh artistic voices, the book sets a thoughtful tone for its investigation.
Turning to the present-day operatic landscape, the essay scrutinizes the output of contemporary German composers, noting a pervasive sameness that drifts toward ornamental excess rather than genuine invention. It highlights a lone exception—an emerging force that resists Wagner’s shadow—and suggests that true vitality may yet arise from outside the once‑dominant tradition. Listeners will find a richly detailed, balanced appraisal that invites reflection on how history shapes today’s lyrical drama.
Language
en
Duration
~2 hours (115K characters)
Release date
2011-12-10
Rights
Public domain in the USA.
1878–1939
Best known as a sharp, influential music critic, he also wrote lively books that helped general readers get closer to classical music. His work bridges journalism, musical scholarship, and the listening experience itself.
View all books