A Roadside Harp: A Book of Verses

audiobook

A Roadside Harp: A Book of Verses

by Louise Imogen Guiney

EN·~57 minutes·42 chapters

Chapters

42 total
1

A Roadside Harp

0:42
2

TO DORA AND HESTER SIGERSON

2:01
3

Peter Rugg the Bostonian

5:55
4

A Ballad of Kenelm

1:47
5

Vergniaud in the Tumbril

2:37
6

Winter Boughs

0:42
7

M. A. 1822–1888

0:14
8

W. H. 1778–1830

0:38
9

The Vigil-at-Arms

0:25
10

A Madonna of Domenico Ghirlandajo

0:42

Description

A modestly sized but richly varied volume of verse invites listeners to wander along a lyrical highway where each poem feels like a roadside sign pointing toward a different landscape of feeling. The poet’s voice blends a gentle, almost conversational cadence with moments of formal elegance, letting everyday scenes—summer rides, quiet taverns, and city streets—glimmer with quiet wonder. The opening pieces already set a tone of wistful travel, recalling the restless wanderer Peter Rugg and the soft rustle of countryside breezes. Listeners will find the language both accessible and subtly ornate, making the collection easy to follow while rewarding attentive ears with unexpected turns of phrase.

Beyond the opening, the book unfolds a mosaic of subjects: historic reverie in verses about ancient abbeys and forgotten saints, playful nods to mythic figures like Hylas, and tender snapshots of modern life in London’s gardens, museums, and bustling docks. Nature appears in vivid form—lilacs, cherry boughs, winter boughs—each rendered with a painterly eye that captures both beauty and transience. The poet’s keen observation and quiet humor give each piece a distinct personality, creating a listening experience that feels like strolling through a well‑kept garden of 19th‑century verse.

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Details

Language

en

Duration

~57 minutes (54K characters)

Publisher of text edition

Project Gutenberg

Release date

2017-06-01

Rights

Public domain in the USA.

About the author

Louise Imogen Guiney

Louise Imogen Guiney

1861–1920

A poet, essayist, and editor from Boston’s literary world, this writer became known for graceful, carefully shaped verse touched by history, faith, and an old-world love of chivalry. Her work bridges American literary life and a later scholarly life in England.

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