
PREFACE
I A LANDSCAPE PAINTER
PART I
PART II
PART III
III A DAY OF DAYS
IV A MOST EXTRAORDINARY CASE
In this early tale, a small social circle is rattled when the affluent but unremarkable Locksley loses his engagement to the striking Josephine Leary. The story opens with vivid recollections of the couple’s public break‑up, hinting at the clash between wealth and beauty that fuels the gossip. Through a narrator who keenly observes the nuances of genteel society, we glimpse the delicate balance of reputation, desire, and expectation in a world where appearances carry weight.
At the heart of the narrative is a landscape painter, an artist whose steady hand captures nature’s serenity while he watches the drama unfold. His outsider status lets him comment on the superficiality surrounding him, noting how Miss Leary’s striking features—gray eyes and auburn hair—are likened to an ancient statue, yet even such admiration cannot mask the underlying tensions. The painter’s measured perspective offers a quiet counterpoint to the bustling intrigue, inviting listeners to contemplate the subtle forces that shape love and ambition.
Language
en
Duration
~6 hours (352K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: Scott and Seltzer, 1919.
Credits
Laura Natal Rodrigues (Images generously made available by Hathi Trust Digital Library.)
Release date
Jun 17, 2022
Rights
Public domain in the USA.

1843–1916
A master of psychological fiction, this transatlantic novelist explored the tensions between America and Europe with unusual subtlety and depth. Best known for works like The Portrait of a Lady, The Turn of the Screw, and The Ambassadors, he helped shape the modern novel.
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