
A vivid memoir unfolds through the eyes of a self‑identified androgyne who sees gender not as a binary but as a fluid spectrum. Drawing on mythic figures—from ancient statues to historic leaders—the narrator sketches how society has long struggled to understand the “third sex,” and why those who live between traditional categories often find themselves isolated.
The book then turns to the author’s own journey, recalling a childhood marked by curiosity and the early stirrings of identity. As a young adult in 1920s New York, he slips into the world of female impersonation, navigating the glittering yet shadowed venues of the city’s underbelly. His accounts of nightly performances, secret gatherings, and the camaraderie of fellow “fairy boys” reveal both the exhilaration and the precariousness of life on the fringe.
Interwoven with these personal stories are thoughtful reflections on how passion, rather than pure reason, guides human behavior. By sharing his experiences, the narrator invites listeners to consider the hidden lives of those who defy conventional gender norms and to glimpse the psychological currents that shape them.
Full title
The female-impersonators $b A sequel to the autobiography of an androgyne and an account of some of the author's experiences during his six years' career as instinctive female-impersonator in New York's underworld; together with the life stories of androgyne associates and an outline of his subsequently acquired knowledge of kindred phenomena of human character and psychology
Language
en
Duration
~8 hours (475K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: The Medico-Legal journal, 1922.
Credits
Richard Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2023-02-11
Rights
Public domain in the USA.

b. 1874
A groundbreaking early memoirist, this writer chronicled queer and gender-nonconforming life in turn-of-the-century New York with unusual candor. Writing as Ralph Werther and Jennie June, the work offers a rare firsthand view of identity, desire, and survival in a world that had few words for either.
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by Ralph Werther