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The author argues that music is not a luxury but a basic human need, intimately tied to the body’s natural rhythm and emotional balance. By tracing how collective agitation disrupts physiological and mental steadiness, the work proposes that organized musical education can act as a remedy for societal stress. This early 20th‑century study makes a compelling case for free, publicly funded instruction as a civic responsibility.
The book surveys the musical policies of Italy, England, Germany, France, and the United States from 1800 to 1913, showing how each nation’s support—or neglect—shaped public sentiment. Detailed questionnaires, statistical tables, and a pioneering field dubbed “toneurology” illustrate the link between rhythm, health, and national mood. Readers are invited to consider how a systematic, free music program could reinforce social cohesion and curb the disorders born of rapid industrial and political change.
Language
en
Duration
~2 hours (164K characters)
Publisher of text edition
Project Gutenberg
Credits
The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2022-11-12
Rights
Public domain in the USA.

1869–1930
A playwright, author, and clubwoman from Louisville, Kentucky, she wrote with a sharp eye for social life and public change in the early 20th century. Her career moved between literature, music, and civic life, giving her work an unusual range.
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