Es mi hombre: Tragedia grotesca en tres actos

A gritty portrait of early‑twentieth‑century Madrid unfolds in a cramped attic where poverty and desperation linger in every cracked chair and empty vase. The play opens with Leonorcita, a teenage girl exhausted from endless needlework, dozing atop a squeaking sewing machine while the street outside erupts in shouted orders and hurried footsteps. Her world collides with that of Don Antonio, a disheveled laborer who bursts in, half‑asleep and half‑confused, his coarse humor echoing through the thin walls.

Against this backdrop of squalor, the characters—crupiers, players, a street‑wise maid, and a handful of weary neighbors—navigate a chaotic routine that teeters between farce and sorrow. Their sharp, often absurd exchanges expose the fragile line between survival and collapse, hinting at deeper social tensions without yet revealing the tragic turns that lie ahead. The first act sets a vivid stage for a grotesque tragedy that will test loyalty, dignity, and the thin veneer of everyday comedy.