First Theater in America

audiobook

First Theater in America

by Charles P. (Charles Patrick) Daly

EN·~2 hours

Chapters

Description

A careful essay first presented to the New York Historical Society, this study revisits the origins of professional theatre in the colonies. Drawing on decades‑old newspaper archives and the diligent research of early chroniclers, the author reconstructs the public debate that once credited a mid‑century troupe with planting drama on American soil. The text is reproduced faithfully, with a brief supplement that updates the findings for modern readers.

The investigation turns up surprising evidence of a New York playhouse as early as 1733, long before the famed Hallam company arrived. By tracing advertisements, official petitions, and contemporary reports, the author shows how a modest venue on Nassau Street staged Shakespeare’s works under official permission in 1750. This reassessment invites listeners to reconsider how the first American stage emerged, offering a vivid portrait of colonial cultural life while leaving later developments for further exploration.

Details

Full title

First Theater in America When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.

Language

en

Duration

~2 hours (170K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: The Dunlap society, 1896.

Credits

Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2022-03-26

Rights

Public domain in the USA.

About the author

Charles P. (Charles Patrick) Daly

Charles P. (Charles Patrick) Daly

1816–1899

A self-made New York jurist who rose from working life into the city’s legal establishment, he also became a leading voice in American geography and historical writing. His career moved between the courtroom, public service, and learned societies in a way that feels distinctly 19th-century and surprisingly wide-ranging.

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