
A reflective voice writes to an old friend, tracing the wave of disillusionment that has followed the war’s end. It surveys how even the most gifted have turned their pens to bleak verses, while the ordinary young men return home “fed up,” their optimism frayed. The essay links this modern melancholy to earlier artistic crises, noting that past creators like Burne‑Jones and Rossetti often hid a private cheerfulness behind a public veneer of gloom.
Turning to the volunteers of 1914, the narrator paints a portrait of men who once saw themselves as vital threads in the nation’s fabric, eager to defend liberty and restore a decayed world. Their lofty hopes—fuelled by patriotic slogans and lofty poetry—collided with the harsh realities of trench warfare and post‑war society. The piece captures the lingering ache of those who fell from the high horse of idealism, questioning how a generation can reconcile its shattered dreams with the ordinary life that follows.
Language
en
Duration
~5 hours (335K characters)
Publisher of text edition
Project Gutenberg
Credits
David King and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)
Release date
2019-09-20
Rights
Public domain in the USA.
Subjects

1867–1928
A sharp-eyed English journalist and novelist, he brought the moral weight of World War I into some of the most memorable nonfiction and fiction of his time. His writing blends wit, skepticism, and a deep concern for how public life shapes ordinary people.
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