
A contemplative essay opens by probing a simple yet powerful principle: truth gains power only when it is stretched beyond its proper proportion. Drawing vivid parallels—from a painter’s mis‑scaled portrait to a gardener’s careless pruning, from discordant music to a spectrum missing a single hue—the author shows how distortion turns beauty into absurdity. This meditation on balance sets the stage for a deeper theological reflection.
Turning to faith, the work argues that Scripture itself is a harmonious whole, its many voices and centuries of composition united by divine design. By likening the Trinity and the stages of redemption to parts of a perfect mechanism, the author invites listeners to consider how every element of belief fits together. The opening promises a thoughtful journey into the art of keeping truth in its intended measure.
Language
en
Duration
~31 minutes (30K characters)
Publisher of text edition
Project Gutenberg
Release date
2016-08-08
Rights
Public domain in the USA.
1812–1894
An evangelical Church of England clergyman and religious writer, he spent much of his ministry in Tunbridge Wells and published books and sermons aimed at ordinary readers. His life later appeared in a memoir built around his own autobiographical notes.
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