Comedia llamada Selvagia, Comedia Serafina

A youthful scholar from mid‑sixteenth‑century Toledo channels the spirit of the era’s popular “novela‑cómica,” aiming to transform the tragic tone of earlier models into a buoyant tale that concludes with marriage. Drawing on the structure of the famed Celestina and the later works of Feliciano de Silva, the author weaves witty dialogue and lively characters, hinting at both courtly intrigue and everyday humor while keeping the narrative’s moral compass steady.

The play’s rarity adds to its charm; most copies were destroyed by the author himself, who later regretted his early literary foray. Yet the surviving fragments reveal a clever blend of satire and sentiment, showcasing a sharp, if occasionally pedantic, wit. Listeners will enjoy a glimpse into Renaissance Spain’s theatrical experiments, where earnest youthful ambition meets the polished conventions of the time, promising an entertaining and historically rich experience.