
A young narrator drifts through a sun‑splashed Saturday that feels oddly ordinary despite the headlines screaming that the world will end today. The story opens with newspaper clippings, radio reports, and a town plastered with bold signs announcing the apocalypse, yet life goes on: baseball scores, a hydrogen bomb test, and the mundane chores of mowing the lawn. The narrator’s voice is both skeptical and curious, questioning the flood of prophecy while trying to make sense of the chaos in his own head.
He spends the day with his friends Paul and Howie, tossing a football, trading comic books, and debating what the end might look like. Their banter—about presidents watching the sky, distant continents, and whether clouds will even matter—captures a slice of teenage life caught in the shadow of a global panic. The narrative balances light‑hearted camaraderie with an undercurrent of unease, inviting listeners to wonder how ordinary moments endure when the world seems poised for its final act.
Language
en
Duration
~13 minutes (12K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2016-01-18
Rights
Public domain in the USA.

1915–2004
A sharp, idea-driven writer from science fiction’s magazine era, he paired engineering know-how with a knack for brisk, imaginative storytelling. His best-known work includes the novel Address: Centauri and a run of memorable short fiction from the 1950s.
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