
A varied selection of Graves’s verses opens the volume, ranging from the whimsical “Fairies and Fusiliers” to the stark, pastoral “Country Settlement” and the reflective “The Pier‑Glass.” The poems move through wartime memories, rural life, and fleeting moments of wonder, each stamped with his characteristic blend of vivid imagery and subtle irony. Readers will encounter his lyrical voice shifting between the intimate and the grand, offering a snapshot of early‑twentieth‑century English poetry in its many moods.
Beyond the verse, the book unfolds an unconventional essay on the psychology of poetry. Graves distinguishes the spontaneous “fusion of contradictory emotions” that sparks a poem from the later, craft‑driven effort to shape that insight for an audience. His prose is candid, often self‑critical, and deliberately strays from systematic theory, inviting listeners to consider how poetic feeling and analytical thought can coexist. The result is a thought‑provoking companion to the poems, offering insight without claiming definitive answers.
Full title
On English Poetry Being an Irregular Approach to the Psychology of This Art, from Evidence Mainly Subjective
Language
en
Duration
~2 hours (172K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by MWS, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2015-10-10
Rights
Public domain in the USA.

1895–1985
A poet, novelist, and critic with a restless, inventive mind, he wrote with unusual range—from war memoir and historical fiction to sharp literary criticism. His work often blends classical learning, myth, and plainspoken intensity in a way that still feels fresh.
View all books