After Taps

audiobook

After Taps

by George M. (George Melville) Baker, Rachel Baker Gale

EN·~1 hours

Chapters

Description

In this three‑act drama the audience is placed in a well‑appointed Baltimore apartment belonging to a Union colonel during the Civil War. The first act opens to the brisk beat of “Yankee Doodle” as a company of Union troops marches past a window, while a lively young woman, Polly Primrose, sings a jaunty tune about camp life. The scene balances domestic comfort with the looming presence of war, setting a tone that is both intimate and patriotic.

Colonel Graham, his wife Ruth, and his sister Dorothy are joined by officers, a standard‑bearer, and a daring Southern gentleman who has slipped into the house as a contraband. Their conversations reveal personal loyalties, hidden fears, and the uneasy truces that form in a house filled with both Union blue and Confederate gray. As the act unfolds, listeners sense the emotional weight of a nation at war, while the characters’ humor and music provide a brief respite before the story moves toward its next, more turbulent moments.

Details

Language

en

Duration

~1 hours (97K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Edwards, Gonçalo Silva and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2015-06-27

Rights

Public domain in the USA.

About the authors

George M. (George Melville) Baker

George M. (George Melville) Baker

1832–1890

Known for lively amateur theatricals and comic stage pieces, this 19th-century Boston writer helped make home and community performance more accessible and fun. He also worked in publishing, bringing the practical side of popular entertainment to a wide audience.

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Rachel Baker Gale

Rachel Baker Gale

1858–1923

A prolific American playwright of the late 19th and early 20th centuries, she wrote popular parlor plays for amateur performers and school stages. Her work often turned a sharp, skeptical eye toward changing ideas about women’s public roles and women’s suffrage.

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