
A richly textured portrait opens with Théophile Gautier’s first encounter with a young, almost unknown Charles Baudr — a striking figure whose black hair, tobacco‑colored eyes, and meticulously dandy attire set him apart from the bohemian crowd of mid‑nineteenth‑century Paris. Gautier’s vivid description captures not only Baudr’s physical presence but also the electric aura of a poet already stirring curiosity among fellow artists and writers.
Beyond this intimate portrait, the work weaves together selections from Baudr’s own verses, tender letters to Sainte‑Beuve and Flaubert, and a reflective essay on his lasting influence. Listeners will hear the early stirrings of the poet who would later shape modern literature, set against the backdrop of salons, secret staircases, and the artistic fervor of the era, offering a compelling glimpse into the man behind “The Flowers of Evil.
Language
en
Duration
~4 hours (236K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Marc D'Hooghe (Images generously made available by the Internet Archive.)
Release date
2014-10-08
Rights
Public domain in the USA.

1821–1867
A central figure of modern poetry, he brought beauty, urban life, and moral unease together in verse that still feels startlingly fresh. Best known for Les Fleurs du mal, he also helped shape literary criticism and introduced many French readers to Edgar Allan Poe through his translations.
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1811–1872
A vivid voice of 19th-century French literature, he brought poetry, novels, travel writing, and art criticism together with a strong belief in beauty for its own sake. Best known for works like Mademoiselle de Maupin, Captain Fracasse, and Émaux et Camées, he helped shape the movement later linked with "art for art’s sake."
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