
The narrative opens aboard the imposing liner Bretagne as it slips away from Le Havre, its massive hull gliding past whitewashed walls and bustling docks. Passengers swarm the decks, clutching folding chairs and bundles of coats, while stewards and a meticulous commissaire orchestrate the chaos of luggage, meals, and introductions. The crisp October air, the steady hum of electric bells, and the distant silhouette of Cherbourg set a vivid stage for a voyage that feels both grand and intimate.
Once at sea, the ship becomes a floating micro‑cosm of society—talkers, readers, and quiet observers sharing the same salty breezes. Meals are served every few hours, conversations drift from travel anxieties to the allure of the New World, and the crew’s precise time‑keeping turns the ocean into a measured race toward America. The ever‑changing horizon, punctuated by distant cliffs and passing ships, fuels a collective anticipation, hinting at the discoveries and encounters that lie ahead.
Language
it
Duration
~5 hours (333K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2014-09-10
Rights
Public domain in the USA.

1847–1906
Best known today as one of the writers behind Puccini’s great operas, this Italian poet, playwright, and librettist helped shape the words of La bohème, Tosca, and Madama Butterfly. His work joined literary polish with strong feeling, making him a lasting presence in both theater and music.
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