
This compact study traces the development of the printed book from its medieval beginnings through the age of Gutenberg and on to the modern era. Rather than dwelling on the mechanics of type‑casting or paper making, it highlights the artistic side—illustrators, engravers, printers’ marks, and the evolution of binding styles. With more than a hundred facsimile images, readers can see authentic examples of early typography, woodcuts, line engravings and decorative pages.
The narrative shows how each generation’s tastes and politics left their imprint on the book’s appearance, from crude medieval illustrations to the elaborate allegorical designs of the Renaissance and the sober classicism of the revolutionary period. By weaving together visual examples and concise commentary, the work offers a clear picture of how printed volumes have both shaped and reflected cultural change. It’s an ideal listening companion for anyone curious about the art and history behind the books that line our shelves.
Full title
The Printed Book: Its History, Illustration and Adornment From the Days of Gutenberg to the Present Time
Language
en
Duration
~6 hours (378K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Tony De Vita and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2014-02-13
Rights
Public domain in the USA.

1849–1906
A French art historian and museum curator, he helped shape the study of prints and illustrated books in the late 19th century. His writing blends careful scholarship with a lively interest in images, publishing, and the history of books.
View all books