
This volume opens a clear‑sighted journey through the birth of the musical art, beginning with the humble chants that floated through early Christian worship. It highlights how sacred music and the popular songs of everyday life grew side by side, only gradually meeting and influencing one another. The narrative shows how the medieval clergy, tasked with shaping a liturgical soundscape, laid the groundwork for what would become the tradition of “modern” music.
The author walks listeners through the first organized steps toward a musical system—Pope Sylvester’s singing schools, the antiphonal practices of Antioch, the Council of Laodicea’s choir mandates, and St. Ambrose’s codification of the Ambrosian chant. By tracing these milestones, the book reveals how simple, community‑based singing evolved into a disciplined art form, ready for more sophisticated development.
Interwoven with illustrative midi excerpts, the text also explores the ancient Greek scales that underpinned early chant. These foundations, explained in an accessible way, show how the patterns of whole and half steps that still shape today’s major scales first emerged, setting the stage for centuries of musical innovation.
Full title
How Music Developed A Critical and Explanatory Account of the Growth of Modern Music
Language
en
Duration
~8 hours (472K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jude Eylander, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2013-08-14
Rights
Public domain in the USA.
Subjects

1855–1937
A prolific American music critic and writer, he brought opera, orchestral music, and musical history to a broad readership while also publishing novels and books for younger readers. His work for the New York Sun helped make serious music writing more approachable in the late 19th and early 20th centuries.
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