
In the spring of 1778 a young Wolfgang Mozart and his mother set out from Mannheim, trekking for ten arduous days before finally arriving in the bustling heart of Paris. Their hopes were high: the Mozart family recalled a warm reception fourteen years earlier and expected the French capital to reward Wolfgang’s prodigious talent with fame and financial security. The journey itself, described in the young composer’s own letters, captures the mixture of exhaustion and anticipation that colored his first steps on French soil.
Soon after their arrival, Mozart turned to the influential Baron von Grimm, whose friendship had long been a cornerstone of the family’s network. Grimm’s guidance—on everything from polite French introductions to the subtleties of seeking patronage—proved crucial, yet the young maestro’s instinct for self‑promotion clashed with the courtly expectations of Parisian society. The narrative paints a vivid picture of a cultural clash, where the French love of novelty and spectacle often outweighed pure musical brilliance.
Against this backdrop, the book situates Mozart’s Parisian episode within the larger rivalry between Italian and French opera, a struggle that was reshaping European musical taste. While Mozart remains a keen observer rather than an active participant, his experiences in the city reveal the delicate balance between artistic ambition and the politics of patronage that would shape his future path.
Language
en
Duration
~16 hours (942K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger
Release date
2013-08-07
Rights
Public domain in the USA.

1813–1869
A leading 19th-century German classical scholar, he helped reshape the study of ancient art and literature and also wrote an influential biography of Mozart. His work ranged across philology, archaeology, and music history, giving him an unusually broad place in European scholarship.
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