
This volume turns its focus to the flowering of English drama during the Renaissance, presenting the stage as the era’s most vivid mirror of society. It surveys the great poets and playwrights, from the towering figures to the lesser‑known craftsmen, and maps the evolution of comedy, tragedy, pastoral and experimental forms. By weaving literary analysis with cultural context, the author shows how the theatre captured the ambitions, anxieties and imagination of a nation in transition.
The narrative brings the bustling world of the Elizabethan playhouse to life, describing the iconic Globe with its muddy moat, the mingling crowds of merchants, sailors and aristocrats, and the raucous energy that filled every performance. Listeners will hear the clamor of tavern‑talk, the scent of ale and incense, and the colorful banter of audiences from the cheap pit to the private boxes. The book’s lively prose transports you to a time when the stage was both a social hub and a laboratory of human expression.
Language
fr
Duration
~14 hours (808K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Keith J Adams, Christine P. Travers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2012-10-17
Rights
Public domain in the USA.

1828–1893
A sharp-eyed French critic and historian, he brought science, psychology, and social history into literary study in a way that changed how many readers thought about books and culture. Best known for his forceful ideas about how character and environment shape human behavior, he was one of the major intellectual figures of 19th-century France.
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