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A sweeping, alphabetically arranged reference, this volume gathers the lives and writings of music’s most influential thinkers and creators from antiquity through the early nineteenth century. Compiled in the bustling scholarly atmosphere of post‑Napoleonic Italy, it offers a concise yet richly detailed portrait of each figure, reflecting the period’s deepening appreciation for music as both art and science.
Readers will meet a diverse cast: an elderly German chapel master still active in 1783, the French abbot who penned a clear‑spoken treatise on vocal technique for the Dauphin, an Italian noble whose poetic musings link music’s origins to human sorrow, and a Czech‑born composer who studied under Philidor before shaping French pedagogy. Each entry blends biographical facts with critical notes on publications, inventions, and theoretical contributions, making the work a valuable guide for anyone curious about the foundations of Western musical thought.
Full title
Dizionario storico-critico degli scrittori di musica e de' più celebri artisti, vol. 3 Di tutte le nazioni sì antiche che moderne
Language
it
Duration
~7 hours (431K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2012-09-21
Rights
Public domain in the USA.
Subjects
1759–1852
An Italian priest and musician with a passion for language, he moved easily between sacred music, scholarship, and lexicography. His long career left a curious mix of compositions, teaching, and literary work from late eighteenth- and early nineteenth-century Italy.
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by Giuseppe Bertini

by Giuseppe Bertini