
This work opens a window onto the vibrant world of 15th‑ and 16th‑century books, when the newest technology of printing first met the time‑honored art of hand‑crafted decoration. It shows how early printers, eager to prove the worth of their press, matched the skill of medieval scribes by reproducing the same elegant rubrics, initials and borders that had long defined manuscript beauty.
The author traces the intricate division of labour that made such feats possible, describing guilds where dozens of specialists—from rubric makers to miniature painters—joined forces on a single commission. A wealthy patron might commission a devotional volume, see the text set by one hand, the headings carved by another, and the final illuminations added by a celebrated artist from France or Flanders, all woven together into a seamless whole.
Written as an introductory sketch, the book balances scholarly detail with clear, engaging narration, inviting listeners to discover how the early printing trade transformed the look and feel of books while still honoring centuries‑old traditions.
Full title
Early Illustrated Books A History of the Decoration and Illustration of Books in the 15th and 16th Centuries
Language
en
Duration
~5 hours (290K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Simon Gardner, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2012-05-29
Rights
Public domain in the USA.

1859–1944
A leading bibliographer and literary scholar of late Victorian and early 20th-century Britain, he helped make the study of Shakespeare’s texts more rigorous and modern. His work also grew out of a long career at the British Museum, where books and manuscripts were at the center of his life.
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