
A lively collection of essays gathers the voices of the Arts and Crafts Exhibition Society as they grapple with the state of decorative art at the turn of the century. The contributors argue that modern building and design have slipped into a bland, utilitarian monotony, prompting a call to revive the organic beauty that once linked craftsmanship to tradition. Through vivid criticism of “brown‑brick boxes” and the rampant vulgarity of contemporary ornament, they lay out a vision for a renewed aesthetic rooted in genuine artistic intention.
The preface, penned by a leading figure of the movement, frames the debate between two opposing schools: those who see beauty as essential to art and those who treat it merely as a vehicle for intellectual expression. By examining the tensions between scientific rationalism and handcrafted elegance, the essays invite listeners to consider how a small, informed minority might steer society back toward meaningful, handcrafted design. This thoughtful discourse offers a window into the passionate cultural revival that shaped the early modern era.
Full title
Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society
Language
en
Duration
~6 hours (364K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Susan Skinner and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2011-05-29
Rights
Public domain in the USA.
Created to give decorative arts the same public standing as painting and sculpture, this London society became a key force behind the British Arts and Crafts movement. Its exhibitions helped bring handmade design, craftsmanship, and artistic collaboration into the spotlight.
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