
A modest volume of verse that feels more like a series of quiet conversations than a formal anthology, this collection captures moments that have lingered long after they occurred. The poet writes on provocation rather than obligation, turning personal loss, the hush of a London garden, and the starkness of distant landscapes into brief yet resonant snapshots. Her reflections on the Great War linger with a spare, almost reverent intensity, while poems about home soil and far‑off South African horizons reveal a tender curiosity about place and memory.
Introduced by a thoughtful essay from a well‑known essayist, the book is framed as a counterpoint to the often‑contrived “occasional” poetry of its time. Each piece is marked by vivid colour—most strikingly a splash of red that draws the eye and the heart—delivered in compact lines that invite the listener to pause and feel. The result is a sincere, lyrical journey through everyday marvels and sorrowful epochs, perfect for anyone who enjoys poetry that lives in the moment rather than in grand design.
Language
en
Duration
~55 minutes (53K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Bryan Ness, Iris Schimandle and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2010-10-12
Rights
Public domain in the USA.
Subjects
A little-known early 20th-century poet, she wrote with a direct, personal voice that caught both everyday feeling and the shock of wartime. Her best-known book, Provocations, was introduced by G. K. Chesterton and first published in 1918.
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