
A thoughtful meditation on Ireland’s artistic rebirth, this essay weaves together the author’s love for the stage, the ancient legends of Cú Chulainn, and the delicate craft of shaping an agate. Drawing on early experiences with the Abbey Theatre and conversations with figures like William Morris, the writer explores how myth and drama intertwine to give shape to a nation’s identity. The prose moves from the grand sweep of medieval storytelling to the intimate, hands‑on work of a small, determined theatre troupe, suggesting that even the hardest stone yields its pattern to a patient cutter.
The piece also reflects on the broader cultural forces that have guided Irish imagination—church hierarchies, oral tradition, and the restless creativity of rural life. By comparing the meticulous carving of a gemstone to the careful construction of drama, the author invites listeners to consider how art can both preserve and reshape collective memory. It’s a gentle yet compelling invitation to hear the echoes of old myths resonating in modern creative practice.
Language
en
Duration
~4 hours (254K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Brian Foley and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2010-07-06
Rights
Public domain in the USA.

1865–1939
A giant of modern poetry, he blended Irish myth, politics, mysticism, and personal longing into language that still feels vivid and musical today. His work ranges from dreamy early lyrics to the sharper, darker poems of his later years, including some of the most quoted lines in English.
View all books