
audiobook
by Mademoiselle (Marguerite-Joséphine Weimer) George
A vivid portrait of a bygone theatrical world unfolds through the candid recollections of a celebrated French actress. The editor’s introduction sets the stage, explaining how a seasoned legal mind—once president of the Compagnie des avoués—came to safeguard these intimate papers. Readers are invited into a rare dialogue between the disciplined world of law and the flamboyant realm of the 19th‑century stage.
The memoirs trace her childhood encounters with literary giants like Alexandre Dumas, early passions for painting and music, and the magnetic pull of the Parisian theatre. She recounts meetings with legends such as Frédérick Lemaître and Rachel, and describes the thrill of securing a coveted seat in the Opéra’s amphitheater to hear Meyerbeer’s soaring arias. Her sharp observations blend artistic sensibility with a lawyer’s keen eye for detail, offering a fresh perspective on the backstage dramas and social circles of her era.
Published from the original manuscript, the volume includes fac‑simile portraits, detached sheets, and a selection of correspondence that enriches the narrative. As she steps back from a long, successful career, the actress‑turned‑memoirist shares the wisdom and memories that shaped a lifetime, inviting listeners to hear the echo of applause and the whispered stories that survived the passage of time.
Language
fr
Duration
~8 hours (465K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Mireille Harmelin, Hélène de Mink and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2010-01-09
Rights
Public domain in the USA.

1787–1867
A celebrated French tragedienne of the Napoleonic era, she became one of the great stars of the stage and was remembered for the force and brilliance of her performances. Her life moved through theater, scandal, and politics, making her as dramatic offstage as on it.
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