
A clear, concise guide for anyone learning the craft of composition, this work tackles one of the trickiest aspects of modern English—compound words and the ever‑shifting use of the hyphen. It explains why writers and printers often stumble over whether to join, hyphenate, or separate words, and why those choices matter for readability and style. By framing the problem with everyday examples, the author makes the abstract rules feel immediately relevant to the apprentice’s daily tasks.
The text walks readers through the underlying principles of compounding, offering neatly organized tables that break down the components of common and newer formations. Historical notes trace the evolution from Anglo‑Saxon compounds through Chaucer’s hyphenated forms to today’s tendency to drop the dash altogether. Practical advice at the end gives compositors concrete steps for applying the guidelines in the bustling environment of a printing office.
Full title
Compound Words A Study of the Principles of Compounding, the Components of Compounds, and the Use of the Hyphen
Language
en
Duration
~54 minutes (52K characters)
Series
Typographic technical series for apprentices, pt. VI, no. 36
Publisher of text edition
Project Gutenberg
Credits
Produced by Barbara Tozier, Bill Tozier, Stephanie Eason, and the Online Distributed Proofreading Team at http://www.pgdp.net.
Release date
2010-01-04
Rights
Public domain in the USA.

1860–1940
A longtime Universalist minister, educator, and later president of Tufts College, he wrote practical books that aimed to make history, character, and everyday success feel useful to ordinary readers. His work blends moral instruction with a clear, accessible style that fit the popular nonfiction of the early twentieth century.
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