
This volume gathers a series of concise yet insightful studies of the most influential French writers of the nineteenth century. The author, a respected member of the Académie française, moves from the romantic grandeur of Lamartine to the keen realism of Guy de Maupassant, and then to the witty ironies of Anatole France. Each portrait is framed by the broader literary currents of the time, including the growing impact of northern European literature on French taste. The essays are organized as a tidy, single‑volume collection that invites listeners to explore the cultural backdrop of each author’s work.
The opening preface reveals the critic’s own wrestling with the nature of literary judgment, contrasting personal impression with systematic analysis. He questions whether true criticism can ever be free of the reviewer’s voice, and he offers a candid look at his own methodological doubts. This reflective tone sets the stage for a thoughtful tour through the era’s major texts, offering listeners both historical context and a glimpse into the mind of a discerning literary scholar.
Full title
Les Contemporains, 6ème Série Études et Portraits Littéraires
Language
fr
Duration
~9 hours (527K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Mireille Harmelin, Christine P. Travers and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2009-03-09
Rights
Public domain in the USA.

1853–1914
A celebrated French critic, playwright, and essayist, he became known for lively, personal literary criticism that helped shape public taste in the late 19th century. His career also stretched into the theater and public life, giving his writing an unusually wide reach.
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