
Step into the bustling world of early‑20th‑century stagecraft, where a British officer‑turned‑magician records the vibrant practices of India’s traveling conjurors. The author contrasts the polished, apparatus‑laden shows of European illusionists with the resourceful, hand‑crafted feats of the Jadoo‑wallah, whose performances rely on clever sleight‑of‑hand, everyday objects, and a dash of local folklore. Along the way, vivid illustrations bring to life classic tricks—the restored rope, the egg‑bag illusion, and the surprising mango‑tree feat—while the narrative captures the lively banter between performer and audience.
Beyond the tricks themselves, the book offers a thoughtful meditation on why magic endures across cultures, probing the motivations of Western magicians versus their Indian counterparts. Readers discover how princely patronage, modest means, and simple materials shape a uniquely Indian style of wonder that still captivates visitors to the subcontinent’s coral shores. The work invites listeners to appreciate both the artistry and the cultural dialogue that underlie every astonishing reveal.
Language
en
Duration
~1 hours (77K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Sankar Viswanathan and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2008-11-28
Rights
Public domain in the USA.
Subjects
1879–1946
A British Army officer in colonial India, he turned years of firsthand observation into a lively guide to Indian stage magic and sleight-of-hand. His best-known book opens a window onto early 20th-century performance traditions as well as the era that produced them.
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