
In this thoughtful study the author revisits a long‑standing scholarly puzzle: how the French essayist’s ideas seeped into the mind of England’s greatest playwright. By charting the shifting tides of Shakespeare criticism—from the fervent debates of the New Shakespeare Society to the quieter interludes of the Browning era—the book sets the scene for a fresh reassessment of that intellectual exchange.
The investigation proceeds with meticulous close reading, linking passages in the plays to specific sections of Montaigne’s essays, especially the famed “Cannibals” translation that surfaces in The Tempest. Along the way, the author untangles the arguments of past critics, weighing their claims against newly uncovered chronological clues and linguistic evidence. The result is a nuanced portrait of how Montaigne’s reflective prose may have shaped some of Shakespeare’s most iconic characters and soliloquies.
Listeners will find a narrative that balances scholarly rigor with clear, engaging storytelling. Rich with literary anecdotes and vivid examples, the work invites both seasoned readers and curious newcomers to hear familiar dramas in a new, philosophically textured light.
Language
en
Duration
~3 hours (205K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jonathan Ingram, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2008-05-20
Rights
Public domain in the USA.

1856–1933
A self-taught Scottish writer and public intellectual, he was known for sharp arguments on religion, politics, and literature. His books ranged widely, but he is especially remembered for skeptical studies of Christianity and Shakespeare.
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