
A monthly conversation on the nature of literature opens this volume, inviting listeners into a thoughtful exploration of how human ideas find their voice. The speaker outlines five principal ways we communicate thought—sacred preaching, political oratory, heroic public address, the printed word, and finally the stage. By positioning the theatre among these modes, the discussion sets the stage for a deeper look at its unique power.
The lecture then turns to the theatre itself, describing it as the most indirect yet sensually rich medium for ideas. It traces the evolution of drama from primitive rites to the grand, permanent houses of a mature civilization, and explains why only societies with leisure and wealth can sustain true theatrical art. Along the way, the speaker classifies poets into sacred, epic, lyrical, and dramatic, showing how each reflects the cultural conditions of their time. This insightful overview offers a compelling glimpse into the enduring relationship between literature, performance, and the human spirit.
Language
fr
Duration
~8 hours (478K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Mireille Harmelin, Christine P. Travers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2008-05-01
Rights
Public domain in the USA.

1790–1869
A leading voice of French Romanticism, he brought a new intimacy to poetry and later stepped into public life during one of France’s most dramatic political upheavals.
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