The American Credo

audiobook

The American Credo

by H. L. (Henry Louis) Mencken, George Jean Nathan

EN·~2 hours

Chapters

Description

In this incisive essay the authors turn a keen eye toward the tangled web of ideas that shape the American psyche. They argue that beneath the noisy rhetoric of politicians, preachers, and advertisers lies a set of deep‑seated beliefs that guide ordinary people’s responses to the world. By teasing out these “congenital attitudes,” the writers reveal how leaders merely reshuffle existing convictions rather than introduce truly new concepts.

The discussion moves beyond abstract theory to show how everyday institutions—from the press to the YMCA—serve as laboratories for molding public sentiment. It paints a vivid picture of a populace whose core values remain surprisingly stable, even as information floods in and doubts arise among the more educated elite. Listeners will come away with a clearer sense of why certain slogans resonate, how cultural myths endure, and what it means to be “American” at the level of the collective mind.

Details

Full title

The American Credo A Contribution Toward the Interpretation of the National Mind

Language

en

Duration

~2 hours (171K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Annie McGuire and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2007-12-14

Rights

Public domain in the USA.

About the authors

H. L. (Henry Louis) Mencken

H. L. (Henry Louis) Mencken

1880–1956

A sharp-tongued journalist and cultural critic, he became one of the most recognizable American literary voices of the early 20th century. His essays, reporting, and satire made him famous for taking aim at politics, religion, and social pretensions with fearless wit.

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George Jean Nathan

George Jean Nathan

1882–1958

A sharp-tongued theater critic and editor, he became one of the most influential voices in American drama in the first half of the 20th century. His writing was witty, skeptical, and fearless, helping shape the way serious theater was discussed in the United States.

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