
This compact treatise opens with a vivid recollection of St. Augustine’s tear‑filled reaction to the early, unadorned hymn‑singing of Milan’s basilica. By juxtaposing that raw, emotional response with the modest musical resources of the time, the author invites listeners to consider how the very act of worship shapes the ethical weight of melody. The essay then sketches the evolution of Western church music, drawing a line from those primitive chants to the more refined practices that would follow.
The discussion turns practical, offering clear guidance on how congregational singing can nurture devotion without succumbing to merely sensual pleasure. Drawing on theological reflections and historical anecdotes, it balances caution with enthusiasm, urging leaders to harness the “liquid voice” that can lift weaker minds toward piety. Listeners will come away with a nuanced appreciation of why the right blend of words and tune continues to matter in worship today.
Language
en
Duration
~1 hours (76K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Stephen Hutcheson (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2007-06-06
Rights
Public domain in the USA.

1844–1930
A quiet, meticulous poet who became Britain’s Poet Laureate, he wrote with grace, musicality, and a deep love of language. His work ranges from lyrical poems and hymns to thoughtful writing on verse and pronunciation.
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