
In a glittering Indian court where gods watch from lofty peaks, a humble saint’s forbidden love produces a child cradled by birds. Named Sacountala for the feathered guardians that shade her, she is rescued and raised by the wise sage Canoua, who senses a destiny that reaches beyond the palace walls.
The heart of the tale follows the blossoming romance between Sacountala and the charismatic King Douchmanta. Their encounters are set against opulent gardens, celestial dances, and the whispered intrigues of courtiers and mystics, creating a vivid tableau of devotion and temptation that drives the first act’s drama.
Accompanied by Ernest Reyer’s evocative score and Lucien Petipa’s graceful choreography, the ballet‑pantomime weaves music, movement, and narration into an immersive listening experience. Listeners are drawn into a world of exotic costumes, radiant nymphs, and the timeless tension between earthly love and prophetic destiny.
Full title
Sacountala (1858) ballet-pantomime en deux actes / tiré du drame indien de Calidasâ
Language
fr
Duration
~27 minutes (26K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Zoran Stefanovic, Rénald Lévesque and the Online Distributed Proofreaders Europe at http://dp.rastko.net. This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)
Release date
2006-01-23
Rights
Public domain in the USA.

1811–1872
A vivid voice of 19th-century French literature, he brought poetry, novels, travel writing, and art criticism together with a strong belief in beauty for its own sake. Best known for works like Mademoiselle de Maupin, Captain Fracasse, and Émaux et Camées, he helped shape the movement later linked with "art for art’s sake."
View all books